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Trinity Experimental Station, Dungeness

Fol­low­ing plenty of old fash­ioned hard work and skilled crafts­man­ship by our con­trac­tors over the sum­mer, we hope you will share our enjoy­ment of these in-progress shots of the three new eco-buildings on the site of the for­mer Trin­ity Exper­i­men­tal Sta­tion in Dun­ge­ness: the Crosley, Library and Workshop.

The land­scape at Dun­ge­ness is unique: it is one of the largest expanses of shin­gle in the world, and as a ‘Site of Spe­cial Sci­en­tific Inter­est’, it is home to a rich and diverse com­mu­nity of plant and wildlife. It is dot­ted with struc­tures rang­ing from ram­shackle tim­ber huts and light­houses to aban­doned mil­i­tary struc­tures as well as a Nuclear Power sta­tion, which iron­i­cally pro­motes the sur­round­ing ecol­ogy as waste hot water out­flow enriches the sea bed, in turn attract­ing seabirds from miles around.

The coastal cli­mate is harsh with an often unre­lent­ing sea breeze and the tree­less land­scape pro­vid­ing lit­tle in the way of shel­ter. With the crack­ling of gun­fire at the dis­tant Mil­i­tary Fir­ing Range and the occa­sional whis­tle from the local Rom­ney, Hythe and Dym­church narrow-gauge rail­way, the site phe­nom­e­nol­ogy is rich.

The Trin­ity Exper­i­men­tal Sta­tion occu­pies a nar­row strip of land that runs between the Old Light­house and the seashore. Used as a facil­ity for test­ing marine appa­ra­tus – from engines to anti-corrosive paint fin­ishes – the site is home to a num­ber of inher­ited struc­tures includ­ing a small rail­way, a radio tower and a build­ing used to test Fog Horns. Fenced off from the sur­round­ing land­scape, the shin­gle habi­tat con­tained within is pro­tected by Eng­lish Nature as home to some of the country’s rarest plant species.

51% Stu­dios were appointed to design three new build­ings, with inte­ri­ors by John­son Nay­lor, and to over­see the devel­op­ment of the exist­ing site into a num­ber of indi­vid­ual artist’s stu­dios and work­shops. The Crosley Build­ing is the largest of the new build­ings and replaces the dou­ble vol­ume cor­ru­gated shed which was at the entrance of the site. The three inter­lock­ing vol­umes recon­nect the building’s scale to the exist­ing struc­tures, whilst cre­at­ing airy vol­umes within. Frame­less ver­ti­cal slid­ing win­dows arranged on axes focus on con­tex­tual icons – the light­houses, the court­yard, the dis­tant hori­zon. Exter­nally, a locally sourced rough sawn cedar rain­screen is durable and sus­tain­able, and will age to soft sil­ver finish.

The Library is a small exist­ing masonry struc­ture which once housed the gen­er­a­tor for the site. The worn con­crete and masonry inte­ri­ors are retained as a reminder of the build­ings indus­trial her­itage, whilst the exte­rior is over­clad with cedar in a matrix ref­er­enc­ing and express­ing the building’s orig­i­nal struc­tural features.

The Work­shop pro­vides space for wood­work­ing and fram­ing. It relates in form and func­tion to the arche­typal indus­trial build­ing with north-facing zinc-clad lights. A glazed cor­ner win­dow frames a stun­ning view of the coast­guard tower with the Chan­nel beyond. The work­shop also houses the air source heat pump to pro­vide heat and hot water to the site.

51% Stu­dios’ response to sus­tain­abil­ity meant that min­i­miz­ing the neg­a­tive envi­ron­men­tal impact of con­struc­tion was a key fac­tor of the design. The new units are con­structed as rafts directly onto the exist­ing hard-standing and use pre-cast struc­tural ele­ments whereever pos­si­ble. All three build­ings are super-insulated: the Sea Loft and Gen­er­a­tor have shin­gle roofs to min­i­mize visual impact and improve on ther­mal mass. All win­dow open­ings are triple glazed and achieve a u-value of 0.81. The pro­posed build­ings have been designed to achieve Level 4–5 in the Code for Sus­tain­able Homes.

Read about how the con­crete slab was recy­cled here or link to the port­fo­lio page

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