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Fundació Antoni Tàpies

Artists Marysia Lewandowska and Neil Cum­mings: “Too often we have seen films and the cul­ture of cin­ema lazily installed for exhi­bi­tion. Films are rou­tinely dig­i­tal­ized, and pro­jected onto a wall in a black box installed inside the gallery with nowhere to sit, no pro­gramme, no run­ning time, noth­ing. We were deter­mined to com­ple­ment the film-makers’ own cin­e­matic aspi­ra­tions, and thus we worked with archi­tects Peter Thomas and Cather­ine du Toit of 51% stu­dios to find a form of exhi­bi­tion that could simul­ta­ne­ously express the gap between the hum­ble club and the cin­e­matic desires of the mem­bers. What evolved were three beau­ti­ful, lush, sen­su­ously curved, vibrantly coloured, five-meter tall, velvet-curtained cin­ema spaces. Each cin­ema had appro­pri­ate chairs where vis­i­tors would feel com­fort­able, a screen, soft low-level light­ing and a printed pro­gramme with film-notes and run­ning times. Through the pro­gramme we wanted to hand con­trol of the routes through the ele­ments and spaces of the exhi­bi­tion back to the vis­i­tors them­selves. They could sit back and lux­u­ri­ate in a par­tic­u­lar cin­ema watch­ing the whole pro­gramme, or wan­der from screen to screen mix­ing their own film selec­tion.

Enthu­si­asme was also installed in the Whitechapel Art Gallery in Lon­don and at the Kunst­werke in Berlin.

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