Flexible Masterplan
It may be still snowing in Creede, but here at 51% studios we’re working hard at work on the development of the sustainable masterplan for the Upper Rio Grande Event and Recreation Complex [formerly known as, and still encompassing, the Mineral County Fairgrounds] which has been made possible by the El Pomar Grant Award.
Phase 1, which included remediation, relocation of willows and the outdoor arena, is complete and has affored the community of Creede a safe, beautiful and windfree place to rope and ride.
For upcoming events and news, do also take a look at the MCFA’s newly launched website: www.upperriogrande.org
City Year London
Give a year. Change the world.
City Year unites young people of all backgrounds for a year of full-time service, giving them skills and opportunities to change the world. Here at 51% studios we are proud to be working closely with City Year to plan and implement their first office and training spaces in London’s Shoreditch.
In a recent article in the Guardian, Sophie Livingstone writes: “Our experience at City Year over the last 20 years is that young people are transformed through both the full time nature of the programme – they spend ten months with us – and because they can, to paraphrase the Gandhi quote used by David Cameron today, ‘lose themselves in service’. They serve every day from 8am–6pm as tutors, mentors and role models in schools, having an impact on childrens’ attendance, behaviour and performance in maths and English, as well as providing them with role models to whom they can aspire.
That double benefit, to both the young people and the communities they work in, has been seized on by Barack Obama, whose endorsement of City Year is our biggest recruiting tool amongst young people in London, and it’s a concept that has huge potential for tackling pressing problems in the UK.”
51% studios shortlisted for role as AA masterplan architect
51% studios has this week been shortlisted with four other firms for the role of masterplan architect for the Architectural Association, which has recently aquired the leases of a number Grade 1 listed buildings in Bedford Square in addition to those already held for the historic buildings at 34–36.
Others on the shortlist are Donald Insall Associates, Richard Griffiths Architects, Witherford Watson Mann and Wright & Wright.
The Floating Bridge
Today, March 22nd is World Water Day and we are remembering a project we did for the inaugural London Architecture Biennale in Clerkenwell in 2004, working with a gang of nine and ten year olds to construct a floating bridge made from 700 Evian bottles, the second in a series of bridges made from recycled materials …
Lot of Bottle: Our Biennale site was the Farmiloes Courtyard in Clerkenwell, where water has been a centrally important part of history, from its springs, wells and spas and later also breweries and distilleries. Clerkenwell was the site of London’s first reservoir. In the 21st century, though, we have little direct knowledge of where our water comes from and often no longer even drink it from the tap. Water now costs more than soda, milk and gas in the US. The fetishising of water and its packaging is probably the single greatest threat to human and animal survival across the globe.
To connect thinking about the environment with design and engineering more than 700 1.5l Evian bottles were recycled from family life and with cable ties, plumbing pipes and climbing ropes were the primary materials used to create the bridge, which [following some experiments in bouyancy] successfully supported one tonne — that being the combined weight of the young engineers.
“Whilst the project is just a teaching aide for now, its commonplace building blocks make it cheap to build. If a small-scale model can divert hundreds of plastic bottles away from landfill, there’s no reason a bigger project couldn’t use up even more in the real world, while creating easily assembled emergency bridges, rafts or a makeshift rescue craft.” Lot of Bottle, Spark 3, The Guardian
The floating bridge was a collaboration between Dallington School, 51% studios and Tim Macfarlane of Dewhurst Macfarlane and Partners. Other bridges have been made from cardboard and paper.
Also on World Water Day, we are wishing all the best of luck to David de Rothschild and the crew of the Plastiki, a boat made of 12,000 plastic bottles, which has just begun a round-the-world trip to highlight the problems of waste in our oceans, much of it caused by plastic bottles.
And we couldn’t end without mentioning one of our favourite sites, The Big Picture, which has a put up a stunning set of National Geographic pictures of water [you can also download a free interactive copy of National Geographic’s April issue on water]
Cut + Run New York
Cut + Run has opened a new sustainable edit facility at 599 Broadway in NYC in a building we first admired back in 1985 . . . 51% studios’ radiant interior for the award winning editors of An Inconvenient Truth mixes natural light with reclaimed materials to create an inviting and earth friendly editing experience.
Recycle and reduce: The facility embraces green building strategies, paying special attention to promoting the use of natural light. A family of seven suites is crafted from recycled, lightweight and translucent materials with a monolithic resin floor to reflect and amplify the natural light. No dry wall and little glass is used, and suites made from formaldehyde-free, post-industrial recycled wood fibreboard are soundproofed with recycled jeans.
Suite interiors are individually decorated and furnished, with one wall left predominantly raw and finished in a natural soy based clear sealant. Split battens enable the constant technical upgrade and maintenance whilst keeping cables discreet. Computer aided construction by Showman Fabricators allowed a rapid fit out on site, and produced beautifully clean interiors.
The combination of translucent polycarbonate walls, top lit with dimmable low energy diodes and a mocha coloured resin floor give the overall effect of a calm radiance. Five offline suites, a graphics suite and a new HD finishing suite are the creative heart of the space. All rooms have been the latest versions of Avid and Final Cut and are SD/HD compatible.
