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Enthusiasm

“One of the year’s most intrigu­ing exhi­bi­tions is a set of ama­teur films pro­duced in Com­mu­nist Pol­ish fac­to­ries. Re-presented at the Whitechapel by Neil Cum­mings and Marysia Lewandowska, the films were bankrolled by soviet bureau­cracy, who thought they were fund­ing sturdy pro­pa­ganda films. In fact, the film­mak­ers pro­duced poetic, and some­times epic works that speak of work­ers’ dreams of hap­pi­ness, love and free­dom.” The best and bright­est 2005 by Niru Rat­nam for Observer Magazine.

Films of love, long­ing and labour: At the invi­ta­tion of the Whitechapel Gallery and the artists, we trans­formed gal­leries in the Whitechapel Art Gallery, the Kunst­werke, and Fun­da­cio Antoni Tapies in Barcelona into a film mak­ers club-room, three beau­ti­ful cur­tained cin­ema spaces, and an archive lounge.

Enthu­si­asm inves­ti­gated how the ama­teur, the enthu­si­ast or the hob­by­ist works invis­i­bly within the relent­less flow of ‘offi­cial’ cul­ture, fre­quently adopt­ing a counter-cultural tone of tac­ti­cal resis­tance and crit­i­cism.  In Poland under social­ism even leisure was organ­ised through factory-sponsored asso­ci­a­tions, and yet these film-makers activ­i­ties became a space for dreams of love, crit­i­cism and freedom.

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