Urban Birds: Nestworks 1 2 3
51% studios has designed three Nestworks for the urban birds of Bankside featuring a series of sophisticated readymades: blocks, boughs and bushes as part of the London Festival of Architecture.
The design is responsive, site specific and provocative: informed by ornithological derives with Peter Holden, locally celebrated for initiating the annual peregrine falcon public views at Tate Modern. The project was commissioned by the Architecture Foundation, and takes its inspiration from Witherford Watson Mann’s Bankside Urban Forest Strategy.
Nestworks 1 2 3 are a direct response to the festival’s theme of exchange: of knowledge, habitat, materials. We discovered that the standard hollow block used to build some of London’s most celebrated architecture is made from concrete with 55% recycled woodpulp, a material that when used in nestboxes is proven to fledge more young than any other. Synergistically the interior block dimensions are text book sizes for house sparrows, radically in decline in the area. Other species designed for are blue tits, great tits, starlings, wrens, robins and blackbirds.
Nestworks 1 2 3 is a legacy project delivered with support from Peter Holden, the Architecture Foundation, Riverford Organic and Lignacite.
Maps showing locations of the Nestworks, some of which are hidden, will available in the Orchard at Union Street from June 19th, or to download.
A related birdwalk and a new talk by Peter and Andy Holden will take place on Saturday 3rd and Sunday 4th July. Peregrine viewings at the Tate are daily from 12 noon to 7pm, 17 July to 12 September 2010.
The Floating Bridge
Today, March 22nd is World Water Day and we are remembering a project we did for the inaugural London Architecture Biennale in Clerkenwell in 2004, working with a gang of nine and ten year olds to construct a floating bridge made from 700 Evian bottles, the second in a series of bridges made from recycled materials …
Lot of Bottle: Our Biennale site was the Farmiloes Courtyard in Clerkenwell, where water has been a centrally important part of history, from its springs, wells and spas and later also breweries and distilleries. Clerkenwell was the site of London’s first reservoir. In the 21st century, though, we have little direct knowledge of where our water comes from and often no longer even drink it from the tap. Water now costs more than soda, milk and gas in the US. The fetishising of water and its packaging is probably the single greatest threat to human and animal survival across the globe.
To connect thinking about the environment with design and engineering more than 700 1.5l Evian bottles were recycled from family life and with cable ties, plumbing pipes and climbing ropes were the primary materials used to create the bridge, which [following some experiments in bouyancy] successfully supported one tonne — that being the combined weight of the young engineers.
“Whilst the project is just a teaching aide for now, its commonplace building blocks make it cheap to build. If a small-scale model can divert hundreds of plastic bottles away from landfill, there’s no reason a bigger project couldn’t use up even more in the real world, while creating easily assembled emergency bridges, rafts or a makeshift rescue craft.” Lot of Bottle, Spark 3, The Guardian
The floating bridge was a collaboration between Dallington School, 51% studios and Tim Macfarlane of Dewhurst Macfarlane and Partners. Other bridges have been made from cardboard and paper.
Also on World Water Day, we are wishing all the best of luck to David de Rothschild and the crew of the Plastiki, a boat made of 12,000 plastic bottles, which has just begun a round-the-world trip to highlight the problems of waste in our oceans, much of it caused by plastic bottles.
And we couldn’t end without mentioning one of our favourite sites, The Big Picture, which has a put up a stunning set of National Geographic pictures of water [you can also download a free interactive copy of National Geographic’s April issue on water]
Urban Birds: Nestworks 1 2 3
51% studios has been invited by the Architecture Foundation to develop strategies and designs for birdboxes around the area designated as the Banside Urban Forest in Witherford Watson Mann’s masterplan.
The birdboxes will be deployed as part of the London Festival of Architecture in June 2010.
Social Cinema
Frieze Magazine asked critics and curators from around the world to choose what, and who, they felt to be the most significant shows and artists of 2006: Alex Farquharson wrote: “‘Social Cinema’ was as memorable as it was fugitive. Over three evenings they created outdoor cinemas that made for delicious juxtapositions between London landmarks – Berthold Lubetkin’s Finsbury Health Centre and Norman Foster’s Millennium Bridge – and films related to Modernist thinking on architecture, urbanism and social progress in postwar Britain.”
In 2006, as part of the London Architecture Biennale, we collaborated with artists Neil Cummings and Marysia Lewandowska on Social Cinema: a project consisting of a series of temporary cinemas, each installed for one night only into the existing urban fabric of the Biennale designated route between Exmouth Market and the Millennium Bridge.
Films about, set in, or commenting on London and its architecture were stunningly projected upon the city itself. At each location, buildings became screens, steps seating, and owners of nearby buildings generously gave power, or loaned their houses as projection booths. The architectural fabric of the temporary cinemas was improvisory, playful and subtle; pallets ‘borrowed’ from a Smithfield Market made temporary bleachers, plastic crates from local pubs and restaurants became seating, neighbours joined the audience, and volunteers with torches acted as ushers.
Social Cinema turned un-built spaces into auditoria and spectacularly intervened in neglected places around landmark buildings. The film programme of the Social Cinema traced an evolution in the representation of everyday life. Each program began by introducing ideas and observations on London and its buildings with excerpts from lectures in the Architectural Association Film Archive, including contributions from the architects Cedric Price, Denys Lasdun, Reyner Banham, and Ron Herron; and then looped back to the 1960’s showing some magnificent films from the Free Cinema movement, of everyday working class experience. Free Cinema was followed by a selection of extraordinary amateur films from Straight 8 and these segued into short films previously uploaded onto internet sites where skateboarders, shoppers, and tourists record their interactions with the architecture of the city.
For a detailed film listings please go to the artists’ website: Chanceprojects / the Photographers’ Gallery
None of this possible without Sam Collins or James Lingwood. Thanks also to Malcolm at XL video and Simon Fryer at Cover-it-up.
