Award winning architectural practice founded by Catherine du Toit and Peter Thomas

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Urban Birds: Nestworks 1 2 3

51% stu­dios has designed three Nest­works for the urban birds of Bank­side fea­tur­ing a series of sophis­ti­cated ready­mades: blocks, boughs and bushes as part of the Lon­don Fes­ti­val of Archi­tec­ture.

The design is respon­sive, site spe­cific and provoca­tive: informed by ornitho­log­i­cal derives with Peter Holden, locally cel­e­brated for ini­ti­at­ing the annual pere­grine fal­con pub­lic views at Tate Modern. The project was com­mis­sioned by the Archi­tec­ture Foun­da­tion, and takes its inspi­ra­tion from With­er­ford Wat­son Mann’s Bank­side Urban For­est Strategy.

Nest­works 1 2 3 are a direct response to the festival’s theme of exchange: of knowl­edge, habi­tat, mate­ri­als. We dis­cov­ered that the stan­dard hol­low block used to build some of London’s most cel­e­brated archi­tec­ture is made from con­crete with 55% recy­cled wood­pulp, a mate­r­ial that when used in nest­boxes is proven to fledge more young than any other. Syn­er­gis­ti­cally the inte­rior block dimen­sions are text book sizes for house spar­rows, rad­i­cally in decline in the area. Other species designed for are blue tits, great tits, star­lings, wrens, robins and blackbirds.

Nest­works 1 2 3 is a legacy project deliv­ered with sup­port from Peter Holden, the Archi­tec­ture Foun­da­tion, River­ford Organic and Lignacite.

Maps show­ing loca­tions of the Nest­works, some of which are hid­den, will avail­able in the Orchard at Union Street from June 19th, or to download.

A related bird­walk and a new talk by Peter and Andy Holden will take place on Sat­ur­day 3rd and Sun­day  4th July.  Pere­grine view­ings at the Tate are daily from 12 noon to 7pm, 17 July to 12 Sep­tem­ber 2010.

City Year London

Give a year. Change the world.

City Year unites young peo­ple of all back­grounds for a year of full-time ser­vice, giv­ing them skills and oppor­tu­ni­ties to change the world. Here at 51% stu­dios we are proud to be work­ing closely with City Year to plan and imple­ment their first office and train­ing spaces in London’s Shoreditch.

In a recent arti­cle in the Guardian, Sophie Liv­ing­stone writes: “Our expe­ri­ence at City Year over the last 20 years is that young peo­ple are trans­formed through both the full time nature of the pro­gramme – they spend ten months with us – and because they can, to para­phrase the Gandhi quote used by David Cameron today, ‘lose them­selves in ser­vice’. They serve every day from 8am–6pm as tutors, men­tors and role mod­els in schools, hav­ing an impact on chil­drens’ atten­dance, behav­iour and per­for­mance in maths and Eng­lish, as well as pro­vid­ing them with role mod­els to whom they can aspire.

That dou­ble ben­e­fit, to both the young peo­ple and the com­mu­ni­ties they work in, has been seized on by Barack Obama, whose endorse­ment of City Year is our biggest recruit­ing tool amongst young peo­ple in Lon­don, and it’s a con­cept that has huge poten­tial for tack­ling press­ing prob­lems in the UK.

51% studios shortlisted for role as AA masterplan architect

51% stu­dios has this week been short­listed with four other firms for the role of mas­ter­plan archi­tect for the Archi­tec­tural Asso­ci­a­tion, which has recently aquired the leases of a num­ber Grade 1 listed build­ings in Bed­ford Square in addi­tion to those already held for the his­toric build­ings at 34–36.

Oth­ers on the short­list are Don­ald Insall Asso­ciates, Richard Grif­fiths Archi­tects, With­er­ford Wat­son Mann and Wright & Wright.

 

The Floating Bridge

Today, March 22nd is World Water Day and we are remem­ber­ing a project we did for the inau­gural Lon­don Archi­tec­ture Bien­nale in Clerken­well in 2004, work­ing with a gang of nine and ten year olds to con­struct a float­ing bridge made from 700 Evian bot­tles, the sec­ond in a series of bridges made from recy­cled materials …

Lot of Bot­tle: Our Bien­nale site was the Farmiloes Court­yard in  Clerken­well, where water has been a cen­trally impor­tant part of his­tory, from its springs, wells and spas and later also brew­eries and dis­til­leries. Clerken­well was the site of London’s first reser­voir.  In the 21st cen­tury, though, we have lit­tle direct knowl­edge of where our water comes from and often no longer even drink it from the tap.  Water now costs more than soda, milk and gas in the US.  The fetishis­ing of water and its pack­ag­ing is prob­a­bly the sin­gle great­est threat to human and ani­mal sur­vival across the globe.

To con­nect think­ing about the envi­ron­ment with design and engi­neer­ing more than 700 1.5l Evian bot­tles were recy­cled from fam­ily life and with cable ties, plumb­ing pipes and climb­ing ropes were the pri­mary mate­ri­als used to cre­ate the bridge, which [fol­low­ing some exper­i­ments in bouyancy] suc­cess­fully sup­ported one tonne — that being the com­bined weight of the young engineers.

Whilst the project is just a teach­ing aide for now, its com­mon­place build­ing blocks make it cheap to build. If a small-scale model can divert hun­dreds of plas­tic bot­tles away from land­fill, there’s no rea­son a big­ger project couldn’t use up even more in the real world, while cre­at­ing eas­ily assem­bled emer­gency bridges, rafts or a makeshift res­cue craft.” Lot of Bot­tle, Spark 3, The Guardian

The float­ing bridge was a col­lab­o­ra­tion between Dalling­ton School, 51% stu­dios and Tim Mac­far­lane of Dewhurst Mac­far­lane and Part­ners. Other bridges have been made from card­board and paper.

Also on World Water Day, we are wish­ing all the best of luck to David de Roth­schild and the crew of the Plas­tiki, a boat made of 12,000 plas­tic bot­tles, which has just begun a round-the-world trip to high­light the prob­lems of waste in our oceans, much of it caused by plas­tic bottles.

And we couldn’t end with­out men­tion­ing one of our favourite sites, The Big Pic­ture, which has a put up a stun­ning set of National Geo­graphic pic­tures of water [you can also down­load a free inter­ac­tive copy of National Geographic’s April issue on water]

Mumsnet Towers

51% stu­dios would like to wish Mum­snet a very happy 1oth birth­day.  It’s been won­der­ful work­ing with you, and amaz­ing to con­sider the action your new shed meet­ing room has seen over the last year alone ! Con­grat­u­la­tions and all the best for the next 10 years!

mumsnet meeting room

Shed Mod­ernism: Bis­cuit­gate hap­pened here …

When Jus­tine Roberts approached us to design a meet­ing room for Mum­snet Tow­ers, the para­me­ters were sim­ple: it had to pro­vide pri­vacy and yet allow nat­ural light through it and it had to be good value for money. Oh, and it also needed to be light­weight, demount­able and sustainable.

51% stu­dios chose poly­car­bon­ate pan­els over glass to pro­vide acoustic insu­la­tion, fil­ter the light and give pri­vacy whilst still being light and easy to trans­port and han­dle. Pan­els were cut to size on site and can be recy­cled after use.

The fram­ing is from sus­tain­able British grown cedar, adapted from a rain­screen pro­file we have been using in Dun­ge­ness, set back-to-back to pro­vide stiff­ness whilst sup­port­ing the pan­els with­out any fix­ings. Cedar is also light­weight, and weath­ers to a soft sil­ver over time. We achieved the clean floor to ceil­ing fin­ish with the help of Tripledot’s fine car­pen­ters who scribed the cedar to the undu­lat­ing planes of the exist­ing ware­house shell.

We love the clever com­po­nents Item Prod­ucts makes for pack­ag­ing and have used on the their heav­ier duty han­dles for the slid­ing door. We exposed the self fin­ished poly­car­bon­ate edge so no frame was needed on the lead­ing edge of the slid­ing door, allow­ing it to slot effort­lessly into the same cedar detail as the other panels.

For pho­tos and videos of Mum­snet 10th Anniver­sary Party at Google HQ, do have a look at these links on Flickr or Mum­snet

mumsnet meeting room

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